News that The Spice Girls are planning a West End musical is a bit like receiving notification in the post that you’re due for a smear test.
You’ve known it’s been on the cards for a while, you haven’t been looking forward to it, but if you just grit your teeth and get on with it, hopefully the pain will be short-lived.
After their disastrous reunion in 2007, Our Ladies of the Hideously Unsuccessful Solo Careers have announced they are ‘brainstorming’ with Mamma Mia! Producer Judy Craymer to create Viva Forever: The Story of the Spice Girls.
Brainstorming with the Spice Girls: there’s a concept.
On the plus side, the working title of the musical isn’t “Girl Power”, a phrase I loathe so completely that when I heard it on Britain’s Got Talent a month or two ago, I had to fight the urge to gouge out my ear canals with a pair of nail scissors so I would never hear it again.
For those of you who might have forgotten, Girl Power involves turning a blind eye to your husband’s infidelities, having eye-wateringly extreme eating disorders which include rooting around in George Michael’s bin for leftovers and hiring witch doctors to perform love spells involving Eddie Murphy’s pants and a pickle jar.
The Spice Girls tirelessly fought for a woman’s right to wear microscopic hotpants and halter-neck tops – think Emmeline Pankhurst if she’d dolled herself up a bit and stopped banging on about politics.
They sang one feminist-lite song about telling men what they really, really wanted and then stuck to beige love songs and choreographed dance routines – all of which served to make the male svengalis behind the band hugely wealthy. Girl Power!
With the launch of a musical, we can look forward to lots of personal appearances, photo calls and endless interviews about ‘empowerment’ and ‘friendship’.
Of the Spice Girls, only Mel C – dubbed ‘the ugly one’ back in 1996 – and Emma Bunton – ‘the fat one’ – look as if they don’t earn their money hanging around on street corners offering sailors saucy cuddles for a handful of grubby small change.
Indeed Mel C looks positively radiant next to Victoria Beckham, who resembles a Versace-clad preying mantis wearing an Andy Warhol wig and the rictus grin of a cadaver.
Mel B, once a terrifying harpy who looked as if she was only one misjudged comment away from glassing you in the face, now looks about as scary as a bowl of blancmange being gently agitated by Dickens’ Tiny Tim.
One’s ability to terrify mankind diminishes somewhat when your public learn that you’ve tearfully demanded a DNA test from the Donkey in Shrek in order to prove he’s your daughter’s father and taken part in a ballroom dancing competition.
Geri Halliwell, meanwhile, remains the haunted shop mannequin we have grown to know and ignore, a talent vacuum who has completely refused to let a lack of any discernible ability prevent her from describing herself as ‘an entertainer’.
It’s this kind of plucky attitude which would have netted her the consolation prize for village idiots at school prize day for learning to put her clothes on the right way round after PE.
The Spice Girls’ ill-fated reunion was believed to be the result of Take That’s triumphant return to the charts some months beforehand.
What Victoria and clan conveniently ignored was that the secret behind the incredible success of Take That’s reunion and subsequent follow-up singles was due to the fact that the public were genuinely interested to see some old faces again.
Bar the odd appearance on Celebrity Big Brother, or news from my cousin in Manchester that Jason had joined her pilates class (apparently, he was hung like a donkey), we’d heard nothing of Gary, Howard, Mark and Mr Orange for years.
Since the Spice Girls went their separate ways, barely a day went by without at least one of them appearing on a reality show, judging a reality show, writing an autobiography, having a baby, failing to chart or being involved in a love triangle involving a footballer, a Hollywood actor and a woman who pleasures pigs on farms.
The Spice Girls didn’t so much split up, they dispersed.
Scary, Ginger, Baby, Sporty and Posh were what happened when you base your music career on an image and not talent, Take That were what happens when you let the fat one stay in the group because he can write good songs.
We can but hope that the musical is as successful as the world tour – not that that stopped them last time.